So following the advice of Alexis Van Hurkman (who wrote not just the book, but several of the major books) and all other major colorist's out there. A few percent difference in or contrast settings in-camera, subtle light changes or subjects a little closer or farther from the lights, and you can have several clips that work fine and a few that are clipped by the same LUT. Hope this helps!Ĭolorists call LUTs "the dumbest math out there".
Now I can use the Export 2 LUT for batch processing. Finally, I can add another new Lumetri effect and load the Export 2 LUT in the Basic settings, and it contains all of the desired changes.Export this Lumetry effect as Export 2 and delete this Lumetry Effect.Now, in the Creative section, I can apply a second, creative LUT (with desired intensity), and other secondary corrections.Add a new Lumetri effect, and set the input LUT in Basic settings as the previously exported Export 1.cube file called Export 1, then delete the Lumetri effect. Adjust the Basic settings to make sure the converstion LUT is applied without losing any details.Apply the conversion LUT in the Creative section, so that I still had access to the Basic settings before it gets applied.The problem is, I couldn't apply two LUTs while also adjusting exposure before the first conversion LUT. The motivation is to have a single LUT I could apply to a batch proxy process that converts SLog3 to Rec709, with some light creative changes as well. Then apply a creative LUT at low intensity for some global stylization.Apply the converstion LUT (SLog3 to Rec709 from Sony).Adjust basic exposure settings before applying a conversion LUT to avoid any detail loss.In my case, I wanted to do the following: I believe I've found a workaround for the multiple Lumetri effects workflow.
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